I had suggested to a few friends that we go along to one of the comedy nights hosted by Richard Herring at the Lyric in Hammersmith. A few people were interested, so I bought four tickets and made my way there in the evening with my ex-flatmate, where we would meet with my friends Amy (who has written a couple of posts on here) and Red Face Paul (about whom I have written occasionally).
I had forgotten however that both Amy and Red Face Paul had been in the pub since lunchtime. This fact became abundantly obvious when we arrived at the Lyric bar and they waved and screamed their welcomes at us across about fifty theatre goers.
Despite my silent prayers, the hole in the ground failed to appear, yet again, and so after getting some drinks we made our way to the stalls and our seats.
Mr. Herring began his routine about potatoes being the apples of the sky for French people, when Amy turned to face me and said, in the shouted whisper that only incredibly drunken people are capable of, “I’VE HEARD THIS BEFORE!”
“Yes.” I whispered, properly, “It was in his Edinburgh show that we saw a couple of years ago.”
“RIGHT. IT’S STILL GOOD THOUGH.”
The show moved on, and she finished the bottle of wine she had successfully snuck into the auditorium from the bar. Pappy’s Fun Club did their set, which closed with a bit of an audience participation sing song, and which most people ignored to begin with. Except Amy.
Now, Amy can not sing. At all. She is so tone deaf that her singing can jump across entire octaves mid sentence. And jump it did. Several times. Once again the hole in the ground failed to appear, though I did manage to lower myself in my seat by a several inches.
After the interval we retook our seats and within five minutes her head was bent backwards as if she was looking at the ceiling. Only her eyes were closed and she was on the verge of snoring. The positive angle here was that I could use any of the jokes I heard in her presence and she would think I was very funny. This was weighed up against the possibility of something falling from the Circle above into her open mouth and choking her.
I let her sleep.
Right until the point she awoke with a start and began talking rather loudly.
“LET ME HAVE A GO!” she began, “I’LL HAVE A GO. GET ME A MICROPHONE.”
For some reason she seemed to think that Sean Hughes wanted her on the stage with him. It took almost a minute to convince her that this was not the case, and included a threat of actual bodily violence. From her to me, for clarification.
The show came to its rousing conclusion, and Amy fell asleep the moment she got in the car to go home. I have not spoken to her yet to see how much, or indeed little, she remembers of the show.